1 10 85 https://www.westernsurvey23.artinterp.org/files/original/1da2d470f5733d2727efa094fe15e0a2.jpeg 038ff1fd054e197688d6ced4418cbe1c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cape Cod Evening Description An account of the resource Provides an insight into the psychology of the individual– the woman’s stare into the distance, and the vastness of the forest and wheat field depict how she feels hopeless, trapped, and longing. Women’s expectations in a marriage can be explored in this– divorce was frowned upon and women were expected to stay married, even if didn’t necessarily mean they were happy. Creator An entity primarily responsible for making the resource Edward Hopper https://www.westernsurvey23.artinterp.org/files/original/44379c396853eb84ccf6fd9a7593e87e.jpg 3082876a04f51f9ef7a933b9d507e0c7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Portrait of a Lady, 18th century Description An account of the resource The idealization is oddly less apparent in this image, and it is very clearly shown. We can see her applied hobbies as well as interest intertwined in her character so that we can see beyond the character of sharp pastels and caked makeup. Creator An entity primarily responsible for making the resource Follower of Louis Michel Van Loo Date A point or period of time associated with an event in the lifecycle of the resource 18th century Medium The material or physical carrier of the resource. Oil on canvas Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Portrait of a lady, 18th century. (18AD). National Gallery of Art, Washington DC. https://www.westernsurvey23.artinterp.org/files/original/dd5c2d64ddd8ebe35ee7ae57c1dd9113.jpg baaa1fc34b3319385b2fadebde0ca5c6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Allegory of Music Medium The material or physical carrier of the resource. Oil on canvas Description An account of the resource I think this painting has a lot of themes relating to femininity, the idealized depiction of women, and the frivolous pink theme we were aiming for. Creator An entity primarily responsible for making the resource François Boucher Date A point or period of time associated with an event in the lifecycle of the resource 1764 Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Boucher, F. (1764). Allegory of music National Gallery of Art, Washington DC. https://www.westernsurvey23.artinterp.org/files/original/08f4c0bcf98f8177a4f8af2a003cdfbd.jpg 97d698d427d1da290d4ff1af40324365 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Allegory of Painting Description An account of the resource This piece was interesting for exploring how the Barbie/pink theme changes when the women depicted are just concepts, not real models. The painting shows naturalism vs. realism in using idealized models of what women should look like, like the creation of Barbie and her battle between wanting to be a perfect doll and wanting to be human. Creator An entity primarily responsible for making the resource François Boucher Date A point or period of time associated with an event in the lifecycle of the resource 1765 Medium The material or physical carrier of the resource. Oil on canvas Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Boucher, F. (1765). Allegory of painting National Gallery of Art, Washington DC. https://www.westernsurvey23.artinterp.org/files/original/141e5a8e26b46ee29ade254360c51c1a.jpg af66b67c6258e4ab0f7d971ffb1080ea Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Emperor Napoleon in His Study at the Tuileries Description An account of the resource Features a portrait of Napoleon in an attempt to highlight his greatness and success. This contributes to the opposite narrative that doesn't feature any of the themes of femininity that we seek to display. Creator An entity primarily responsible for making the resource Jacques-Louis David Date A point or period of time associated with an event in the lifecycle of the resource 1812 Medium The material or physical carrier of the resource. Oil on canvas Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. David, J.-L. (1812). The emperor napoleon in his study at the tuileries National Gallery of Art, Washington DC. https://www.westernsurvey23.artinterp.org/files/original/b4ef8eb05ca5d696bcafae4dc0544eb8.jpeg 58700729d9aa99e2fe01c15abfa489dd Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Attentive Nurse Description An account of the resource Jean Siméon Chardin, The Attentive Nurse, 1747, Oil on canvas, National Gallery of Art Creator An entity primarily responsible for making the resource Jean Siméon Chardin Date A point or period of time associated with an event in the lifecycle of the resource 1747 Medium The material or physical carrier of the resource. Oil on canvas Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Chardin, J. S. (1747). The attentive nurse National Gallery of Art, Washington DC. https://www.westernsurvey23.artinterp.org/files/original/3987a80a04bd8ca25d423333fb92e19f.jpeg b17b6dcb6610c6d6efc6bf9439995faf Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Scale of Love Description An account of the resource This work draws a parallel to the central scene in the Barbie movie where the women reclaim their power by playing along with the men when they attempt to woo the Barbies. Creator An entity primarily responsible for making the resource Jean-Antoine Watteau Date A point or period of time associated with an event in the lifecycle of the resource 1717 Format The file format, physical medium, or dimensions of the resource Oil on canvas Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Watteau, J.-A. (1717). The scale of love The National Gallery, London. https://www.westernsurvey23.artinterp.org/files/original/6ece8e2c556e75b0fa3ccdc040b63d49.jpg 99d2e69d20aec83be0eca8ea958a046e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Young Girl Reading Description An account of the resource This piece demonstrates the idea that women are more than just a pretty visual/object. The young girl reading exemplifies how women are capable of much more. It is considered different for its time period considering the manner in which women were portrayed during the Rococo time period. Creator An entity primarily responsible for making the resource Jean-Honoré Fragonard Source A related resource from which the described resource is derived National Gallery Of Art Publisher An entity responsible for making the resource available National Gallery Of Art Date A point or period of time associated with an event in the lifecycle of the resource 1769 Medium The material or physical carrier of the resource. oil on canvas Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Fragonard, J. H. (1769). Young girl reading National Gallery of Art, Washington DC. younggirlreading https://www.westernsurvey23.artinterp.org/files/original/aff77ede99a2a4f683bc606c83042c7b.jpeg f7c060f79cbf38341ab21cbd2713cb3f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Three Figures Dressed for a Masquerade Description An account of the resource Uses ideal women and displays gender roles through dress, positioning, and interactions. Creator An entity primarily responsible for making the resource Louis-Joseph Le Lorrain Date A point or period of time associated with an event in the lifecycle of the resource 1740s Medium The material or physical carrier of the resource. Oil on canvas Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Le Lorrain, L.-J. (1740). Three figures dressed for a masquerade National Gallery of Art, Washington DC. https://www.westernsurvey23.artinterp.org/files/original/918d64d51e950a63f956399fb57dfef5.jpeg 162724aa7918496f47445e86920f2f77 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Loge Creator An entity primarily responsible for making the resource Mary Cassatt Description An account of the resource In the Impressionist period, we start to see the emergence of more female artists. The portrayal of women by women tells us not only how women view other women, but also how they view themselves in society. This picture shows 2 dejected young girls in a theater, and lots of questions can be asked; are they here by choice? What is expected of them?