<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://www.westernsurvey23.artinterp.org/items/show/7">
    <dcterms:title><![CDATA[The Face of War]]></dcterms:title>
    <dcterms:date><![CDATA[November 20, 2023]]></dcterms:date>
</rdf:Description><rdf:Description rdf:about="https://www.westernsurvey23.artinterp.org/items/show/76">
    <dcterms:title><![CDATA[The Farm Neatline]]></dcterms:title>
</rdf:Description><rdf:Description rdf:about="https://www.westernsurvey23.artinterp.org/items/show/77">
    <dcterms:title><![CDATA[The Girl with White Fur]]></dcterms:title>
</rdf:Description><rdf:Description rdf:about="https://www.westernsurvey23.artinterp.org/items/show/100">
    <dcterms:title><![CDATA[The Jar of Olives]]></dcterms:title>
    <dcterms:subject><![CDATA[Jean-Siméon Chardin, The Jar of Olives, 1760, oil on canvas, 71 × 98 cm. Paris, Musée du Louvre]]></dcterms:subject>
</rdf:Description><rdf:Description rdf:about="https://www.westernsurvey23.artinterp.org/items/show/72">
    <dcterms:title><![CDATA[The Kitchen Maid]]></dcterms:title>
    <dcterms:source><![CDATA[https://upload.wikimedia.org/wikipedia/commons/thumb/1/1f/Jean_Siméon_Chardin_-_The_Kitchen_Maid_-_WGA04763.jpg/640px-Jean_Siméon_Chardin_-_The_Kitchen_Maid_-_WGA04763.jpg]]></dcterms:source>
</rdf:Description><rdf:Description rdf:about="https://www.westernsurvey23.artinterp.org/items/show/73">
    <dcterms:title><![CDATA[The Kitchen Maid, Servant Returning from the Market]]></dcterms:title>
    <dcterms:subject><![CDATA[Chardin, &quot;The Kitchen Maid,&quot; 1738, oil on canvas, The National Gallery of Art, Washington D.C.<br />
<br />
Chardin, &quot;Servant Returning from the Market,&quot; 1738, oil on canvas, Louvre, Paris, France]]></dcterms:subject>
</rdf:Description><rdf:Description rdf:about="https://www.westernsurvey23.artinterp.org/items/show/39">
    <dcterms:title><![CDATA[The Loge]]></dcterms:title>
    <dcterms:description><![CDATA[In the Impressionist period, we start to see the emergence of more female artists. The portrayal of women by women tells us not only how women view other women, but also how they view themselves in society. This picture shows 2 dejected young girls in a theater, and lots of questions can be asked; are they here by choice? What is expected of them? ]]></dcterms:description>
    <dcterms:creator><![CDATA[Mary Cassatt]]></dcterms:creator>
</rdf:Description><rdf:Description rdf:about="https://www.westernsurvey23.artinterp.org/items/show/20">
    <dcterms:title><![CDATA[The Look of Amber]]></dcterms:title>
    <dcterms:subject><![CDATA[The Look of Amber]]></dcterms:subject>
    <dcterms:creator><![CDATA[Yves Tanguy]]></dcterms:creator>
    <dcterms:date><![CDATA[1929]]></dcterms:date>
</rdf:Description><rdf:Description rdf:about="https://www.westernsurvey23.artinterp.org/items/show/14">
    <dcterms:title><![CDATA[The Martyrdom of Saint Lawrence]]></dcterms:title>
</rdf:Description><rdf:Description rdf:about="https://www.westernsurvey23.artinterp.org/items/show/34">
    <dcterms:title><![CDATA[The Scale of Love]]></dcterms:title>
    <dcterms:description><![CDATA[This work draws a parallel to the central scene in the Barbie movie where the women reclaim their power by playing along with the men when they attempt to woo the Barbies. ]]></dcterms:description>
    <dcterms:creator><![CDATA[Jean-Antoine Watteau]]></dcterms:creator>
    <dcterms:date><![CDATA[1717]]></dcterms:date>
    <dcterms:format><![CDATA[Oil on canvas]]></dcterms:format>
    <dcterms:bibliographicCitation><![CDATA[Watteau, J.-A. (1717). The scale of love The National Gallery, London. ]]></dcterms:bibliographicCitation>
</rdf:Description></rdf:RDF>
